Pirate Jenny

"Pirate Jenny" (German: "Seeräuberjenny") is a well-known song from The Threepenny Opera by Kurt Weill, with lyrics by Bertolt Brecht. The English lyrics are by Marc Blitzstein. It is probably the second most famous song in the opera, after "Mack the Knife".

Contents

Content and context

The song depicts Jenny, a lowly maid at a "crummy old hotel", imagining avenging herself for the contempt she endures from the townspeople. A pirate ship – with eight sails, and with 50 cannons – enters the harbor, fires on the city and flattens every building except the hotel. The pirates come ashore, chain up all the townspeople, and present them to Jenny, who orders the pirates to kill them all. She then sails away with the pirates.

The song was originally placed in the first act and is sung by Mackie's bride, Polly Peachum, who resents her parents' opposition to her trying her luck with Mackie and is fantasizing about avenging herself on the constraints of her family. However, the song is frequently moved to the second act and given to the prostitute Jenny. Jenny has given Mackie, her former lover, shelter from the police but is jealous of his wife, Polly. Eventually, she tips off the police, who catch Mackie and take him to his hanging. Her song suggests that she likes the idea of having Mackie's fate in her hands.

Translations

There is a problem translating this song. In the original German], the ship is described as "mit acht Segeln" (with eight sails). Because a literal translation has fewer syllables, in English the ship is usually described as "the black freighter".

Cover versions

Many notable artists have covered this song independent of the stage show: Steeleye Span, Ute Lemper, Charlotte Rae, The Dresden Dolls, Judy Collins, Marianne Faithfull, Marc Almond and Bea Arthur.

It has been famously covered by singer and activist Nina Simone on 1964's Nina Simone in Concert. She gave the song a grim civil rights undertone, with the "black freighter" symbolizing the coming black revolution.

Cultural references

References

  1. ^ In The New Comics Anthology, Bob Callahan, ed., Collier Books, 1991, pp. 170–173.
  2. ^ "The Alan Moore Interview" at blather.net
  3. ^ In 'Lars von Trier: Interviews', Jan Lumholdt, ed., University Press of Mississippi, 2003, pp. 206.